百年《孟子》散文藝術(shù)研究之回顧與前瞻

頁(yè)數(shù) 7 字?jǐn)?shù) 8723

摘要：20世紀(jì)以來，隨著經(jīng)學(xué)的式微，諸子學(xué)勃興，作為儒家重要經(jīng)典的《孟子》得到了多學(xué)科多領(lǐng)域的廣泛研究，文學(xué)研究是其中之一。縱觀百年《孟子》文學(xué)研究，有創(chuàng)獲亦有缺憾。就散文藝術(shù)而言，百年中研究者主要從《孟子》散文的語言藝術(shù)特色及其修辭技巧的運(yùn)用、論辯藝術(shù)及其氣勢(shì)風(fēng)格、文章的邏輯性及其文體特征等方面進(jìn)行了廣泛探討，取得了可觀的成績(jī)?；仡櫯c總結(jié)百年《孟子》散文藝術(shù)研究，分析其得失，探討新的研究路向，對(duì)進(jìn)一步深化《孟子》乃至先秦諸子散文藝術(shù)研究不無裨益。

關(guān)鍵詞： 《孟子》,散文藝術(shù),研究,述評(píng)

A Review of Research on Prose Art of Meng zi in the 20th Century
Abstract: Meng zi, being one of the Confucian classical works, was studied extensively in the 20th century. Literary research, which was one of the research fields on Meng Zi, achieved much but failed in some aspects in last century. In this essay the prose art of literary research on Meng Zi is reviewed briefly in three aspects: using art character and skill of language, debating art and imposing style, and logicality and style character. Its achievement and failure is reviewed, and prospected for the research in the 21st century is also mentioned.
Key words: Meng Zi; Prose Art; Research; Review
參考文獻(xiàn)
[1]蔣伯潛.諸子通考[M].南京:中正書局,1948.
[2]程千帆.先唐文學(xué)源流論略（之二）[J].武漢師范學(xué)院學(xué)報(bào)(哲社版),1981,(2):17—37.
[3]郭沫若.十批判書[M]，重慶:重慶群藝書社，1945年。
[4]劉大杰.中國(guó)文學(xué)發(fā)展史[M].中華書局,1941.
[5]柳存仁.上古秦漢文學(xué)史[M].商務(wù)印書館，1948年。