①頁(yè)數(shù):31頁(yè)
②字?jǐn)?shù):3萬(wàn)字
③ 摘要:中英詩(shī)歌在各自發(fā)展的過程中形成了不同的風(fēng)格。對(duì)于詩(shī)歌意象的創(chuàng)作，
植根于兩種文化的詩(shī)人，表現(xiàn)出不同的喜好，沿襲了不同的傳統(tǒng)，運(yùn)用不同的
手法，展現(xiàn)出不同的魅力，帶給讀者不同的審美享受。中國(guó)詩(shī)人善于用自然清
新的意象表情達(dá)意，而他們的西方同行卻是敘事的高手，詩(shī)歌意象創(chuàng)作不是其
詩(shī)壇的主流。
本文認(rèn)為，抒情詩(shī)是反映詩(shī)歌意象創(chuàng)作的寶庫(kù)。于是，本文以對(duì)抒情詩(shī)的
研究作為支持，用類比及總結(jié)的方法對(duì)兩種文化背景下詩(shī)歌意象創(chuàng)作的傳統(tǒng)、
表現(xiàn)手法、審美效果進(jìn)行了系統(tǒng)的比較分析。另外，本文還從文化的角度去探
索造成中英詩(shī)歌意象創(chuàng)作種種差異的原因，內(nèi)容涉及到思維方式、世界觀、意
識(shí)形態(tài)的影響以及語(yǔ)言等諸多方面。
經(jīng)過分析論證，本文得到結(jié)論：“天人合一”的哲學(xué)思想主宰著中國(guó)詩(shī)歌
的意象創(chuàng)作，“和諧統(tǒng)一”的追求與境界滲透于其中；而嚴(yán)密的邏輯性、抽象
性和分析性卻貫穿于英語(yǔ)詩(shī)歌對(duì)于意象創(chuàng)作的理解與運(yùn)用中。
關(guān)鍵詞：意象創(chuàng)作；文化根源；比較研究；中英詩(shī)歌
④目錄 :
Ⅰ. Introduction
1.1 Definition of poetic imagery and its relationship with culture
1.2 A preview of the cultural analysis
Ⅱ. Difference in Tradition: Continuous Preference vs. Accidental Fondness
2.1 Chinese poetry has a continuous preference towards imagery-creation
2.2 English poetry displays its accidental proneness
2.3 Cultural analysis: system of thought determines literary tradition
Ⅲ. Difference in the Means of Imagery-presentation
3.1 Bi, xing in Chinese poetry vs. metaphor in English poetry
3.2 Natural symbolic images in Chinese poetry vs. religious and mythological
symbolic images in English poetry
3.3 Image cluster in Chinese poetry vs. single image in English poetry
3.3.1 Superimposition of images: a unique creation of Chinese poetry
3.3.2 An exemplified comparison of image cluster in Chinese poetry and single
image in English poetry
3.4 Cultural analysis: stereoscopic language vs. linear language
Ⅳ. Difference in Aesthetic Effect
4.1 Appreciation of visual art vs. abstract and logical representation of the poet’s
idea
4.2 Harmony between man and nature vs. separation of man and nature
Ⅴ. Conclusion

⑤關(guān)鍵字:意象創(chuàng)作；文化根源；比較研究；中英詩(shī)歌

⑥參考文獻(xiàn):Notes
① From Shakespeare’s Sonnet 18
② In his The Defence for Poetry, Sir Philip Sidney makes such a statement.
③ Extracted from Illusion, Lie and Metaphor: The Paradox of Divergence in Early
Chinese Poetics, Poetic Today, 2002
④ The same as “③”
⑤ Consulting Preminger, Alex.ed. Princeton Encyclopedia of Poetry and Poetics,
Princeton, NJ. Princeton University Press, 1975
⑥ The poetry is discussed in the following parts in a narrow sense since the
discussions centre on poetic imagery in lyrics.
⑦ The same as “③”
⑧ From 《漢文學(xué)語(yǔ)言形態(tài)論》（申小龍），1998











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