任頤人物畫的藝術(shù)特征





摘要：

任伯年(1840- 1896)清代畫家。名頤，初字小樓，后改字伯年，別號任公子、任和尚、山陰道上行者、山陰人。浙江山陰人。父親任聲鶴是民間畫像師，少時受家庭的煎染，己能繪畫。14歲去上海扇莊學徒，畫技大進，未成年即有名聲。咸豐十一年(1861)太平軍攻克紹興，他參加太平軍為旗乎。太平天國失敗后，留居家鄉(xiāng)，又流寓寧波，得名師任熊、任薰教授，于同治七年(1868)一月隨任熊去蘇州。中年后長居上海，以賣畫為生。其畫師法陳洪級、華巖，重視寫生，勾勒、點簇交施勻_用，別具一格，成為”海上畫派”重要創(chuàng)始人之一C與任熊、任薰、任預并稱畫壇任門”四杰”。有《二友圖》、《蕉蔭納涼小像》、《八仙祝壽》、《祝?！贰ⅰ扼刺視?、《關(guān)河一望蕭索》、《鐘馗》、《倒騎驢圖》等名作。任伯年擅長花鳥、人物畫、尤以人物畫稱雄清末畫壇。任伯年為人率真，不修邊幅，畫多而名聲漸大，但其身心深受鴉片之害，損傷元氣，年僅56歲就過早去世了。論述任伯年人物畫的藝術(shù)特征，借以研究國人物畫繼續(xù)發(fā)展的方向。

關(guān)鍵詞：題材;人物造型;色彩背景




Benign' s artistic character of his character painting
Abstract: Nearly a hundred years，Chinese character painting, in the approach of the combination ofeast and w est，Ren Benign was the first man who got the achievement. This thesis wants to discuss Ren Be-nian' s artistic character of his character painting in the aspect of the combination of east and west and studyand inspire the development of Chinese character painting by this turning point.
Key words: the combination of east and west; theme; character sculpt; color background