我們回顧1959年的古巴革命時(shí)期的海報(bào)招貼設(shè)計(jì)，在很大程度上影響了當(dāng)代視覺(jué)傳達(dá)設(shè)計(jì)的發(fā)展。當(dāng)歐美，日本等國(guó)家的設(shè)計(jì)迅速發(fā)展的時(shí)候，一向與世界設(shè)計(jì)潮流似乎毫不相干的第三世界國(guó)家在20世紀(jì)60 70年代，也有了較大起色。地處拉丁美洲的古巴最具特色，成就卓著。


為了鞏固新生政權(quán)并適應(yīng)這種宣傳的需要，政治宣傳成為當(dāng)時(shí)古巴政府思想文化領(lǐng)域的頭等大事而政治宣傳招貼成為重要的工具和手段。設(shè)計(jì)師們以多樣的形式語(yǔ)言，創(chuàng)作出了豐富多彩的作品，而古巴由此也迅速的成為當(dāng)時(shí)世界范疇內(nèi)招貼設(shè)計(jì)方面的“大國(guó)”。


其中古巴招貼設(shè)計(jì)師Eduardo Munoz Bachs.以創(chuàng)作海報(bào)招貼設(shè)計(jì)著稱。他的海報(bào)作品代


We review the 1959 Cuban revolution period, the poster poster design, greatly influences the development of the contemporary visual communication design. When America, Europe, Japan and other countries of the design of the rapid development, has always been and the world seems irrelevant design trend of the third world countries in 20 centuries 60 70 s, also have great improvement. Located in Latin America the most unique Cuba, outstanding achievement.



In order to support the new regime and adapt to the need of the propaganda, political propaganda became the cultural field, the Cuban government thought the priority of political posters become important tool and means. Designers in various forms of language, creation gives the rich and colorful works, and Cuba in the world was quickly become the poster design within the scope of "power".