二維手繪動畫《Liar Bomb》畢業(yè)論文


4738字 9頁 原創(chuàng)作品


摘要:盡管三維動畫如今相當(dāng)?shù)某晒Σ⒕哂袕V闊光明的前景但二維動畫依舊在形式語言上也有不可取代的明顯表現(xiàn)性優(yōu)勢。首先二維動畫在形式上是對真實(shí)的高度概括。手繪動畫在形色空間和動作設(shè)計(jì)上更多追求"似"而非真語言不但言盡其實(shí)而且以少勝多正好暗合藝術(shù)真實(shí)的規(guī)律。其次二維動畫由于繪制的關(guān)系在形式轉(zhuǎn)換上使"動"的意義變得更加寬廣。從而體現(xiàn)出動畫浪漫、夸張、幽默的表現(xiàn)色彩。一個完整的傳統(tǒng)二維手繪動畫可分成前中后三個階段，前期階段需要編劇設(shè)計(jì)劇本、場景、造型，導(dǎo)演分鏡頭臺本，中期階段繪畫師通過導(dǎo)演的分鏡頭本進(jìn)行人物的原畫繪制、修行、背景設(shè)計(jì)等流程，再將畫稿通過線拍拍攝入計(jì)算機(jī)中，后期階段在計(jì)算機(jī)中對拍攝的作品進(jìn)行掃描、上色、合成特效、配音等流程，最終形成一個完整的二維手繪動畫成品。

Abstract : Although the 3D animation now considerable success and has broadprospects but still in the form of two-dimensional animation language also has obvious performance advantages can not be replaced. First of all the two-dimensional animation in the form of generalized real. Hand drawn animation in the color space and the action design more the pursuit of "like" rather than true language not only words to do actually and outnumbered coincides withthe artistic real law. Secondly because of the relationship between 2D animation rendering in the conversion of form the "dynamic" meaning become more broad. In order to reflect the animation romantic exaggeration humorcolor. A complete traditional two-dimensional hand drawn animation can bedivided into three stages: in stage design require the writer script scenemodeling director storyboard artist middle stage by lens director this figuresketch drawing practice the background design process then the linedrawings on intake of computer in later stages scanning color syntheticeffects dubbing process to shoot the works in the computer finally form acomplete two-dimensional hand drawn animation products
關(guān)鍵詞 二維 藝術(shù)性 表現(xiàn) 制作