【摘要】作為一種有著悠久歷史的中國(guó)古典文學(xué)形式，中國(guó)古代詩(shī)歌早已引起國(guó)內(nèi)外學(xué)者的廣泛關(guān)注，國(guó)外學(xué)者還將其翻譯成其它語(yǔ)言。本文試圖通過(guò)彼得•紐馬克的理論對(duì)中國(guó)詩(shī)歌的文化翻譯進(jìn)行初步探討，這也證明了此一理論在中國(guó)詩(shī)歌的文化翻譯上起著關(guān)鍵的作用。
【關(guān)鍵詞】彼得•紐馬克，交際翻譯，語(yǔ)義翻譯，詩(shī)歌翻譯

作為一種有著悠久歷史的中國(guó)古典文學(xué)形式，中國(guó)古代詩(shī)歌早已引起國(guó)內(nèi)外學(xué)者的廣泛關(guān)注，國(guó)外學(xué)者還將其翻譯成其它語(yǔ)言。對(duì)于不同的譯者，翻譯的版本和方法有很大的不同。英國(guó)著名的翻譯理論家彼得•紐馬克，基于自己過(guò)去的研究和其他一些跨學(xué)科的知識(shí)，提出了“語(yǔ)義翻譯”與“交
【Abstract】 As a type of classical Chinese literature with a long history, the ancient Chinese poetry has long attracted the attention of scholars at home and abroad and been translated by them. This paper attempts to make a tentative study on Peter Newmark’s theory in the culture translation of Chinese poetry. It proves that the theory plays a key role in the culture translation of Chinese poems.
【Key Words】 Peter Newmark, communicative translation, semantic translation, poem translation

As a type of classical Chinese literature with a long history, the ancient Chinese poetry has long attracted the attention of scholars at home and abroad and been translated by them. For different translators, the translated versions and methods